Hold on Ben Affleck! Ang Lee's "Life of Pi" also collected trophies over the weekend. The existential film was the big winner at the 60th Annual Motion Picture Sound Editors' Golden Reel Awards claiming Best Sound Editing in Music and Dialogue.
Here's the complete list of winners; for other winners/nominees this awards season, click here:
Best Sound Editing: Sound Effects, Foley, Dialogue and ADR in an Animation Feature Film
Best Sound Editing: Sound Effects, Foley, Dialogue, ADR and Music in a Feature Documentary
"Last Call at the Oasis"
Best Sound Editing: Sound Effects, Foley, Dialogue and ADR in a Feature Foreign Language Film
"Rust and Bone"
Best Sound Editing: Music in a Feature Film
"Life of Pi"
Best Sound Editing: Music in a Musical Feature Film
Best Sound Editing: Dialogue and ADR in a Feature Film
"Life of Pi"
Best Sound Editing: Sound Effects and Foley in a Feature Film
Best Sound Editing: Sound Effects, Foley, Dialogue and ADR Animation in Television
"Adventure Time" - "Card Wars"
Best Sound Editing: Long Form Documentary
Best Sound Editing: Long Form Music in Television
"Hemingway & Gellhorn"
Best Sound Editing: Short Form Music in Television
"Fringe" - "A Short Story About Love"
Best Sound Editing: Long Form Dialogue and ADR in Television
"Game of Thrones" - Season 2 - "Valar Morghulis"
Best Sound Editing: Long Form Sound Effects and Foley in Television (TIE)
"SEAL Team Six: The Raid on Osama Bin Laden" and "Game of Thrones" - Season 2 - "Valar Morghulis"
Best Sound Editing: Long Form Musical in Television
"Let it Shine"
Best Sound Editing: Short Form Musical in Television
"Smash" - "Hell on Earth"
Best Sound Editing: Short Form Dialogue and ADR in Television
"The Newsroom" - "Amen"
Best Sound Editing: Short Form Sound Effects and Foley in Television
"American Horror Story" - "Welcome to Briarcliff"
Best Sound Editing: Computer Episodic Entertainment
"Halo 4: Forward Unto Dawn"
Best Sound Editing: Computer Interactive Entertainment
"Resident Evil 6"
Best Sound Editing: Direct to Video - Animation
"Justice League: Doom"
Best Sound Editing: Direct to Video - Live Action
"Fire with Fire"
Verna Fields Award in Sound Editing for Student Filmmakers
"Head Over Heels"
Career Achievement Award
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"Argo" remains the Oscar-frontrunner! The Ben Affleck film was the big winner at the recently concluded 63rd Annual ACE Eddie Awards honoring outstanding editing in nine categories of film, television, and documentaries. "Argo" won the Dramatic category, "Silver Linings Playbook" for Comedy/Musical, "Brave" for Animated, and "Searching for Sugar Man" for Documentary.
Here are the complete list of nominees; for winners/nominees of other award-giving bodies, click here:
BEST EDITED FEATURE FILM (DRAMATIC):
William Goldenberg, A.C.E.
Life of Pi
Tim Squyres, A.C.E.
Michael Kahn, A.C.E.
Stuart Baird, A.C.E.
Zero Dark Thirty
Dylan Tichenor, A.C.E. and William Goldenberg, A.C.E.
BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):
The Best Exotic Marigold Hotel
Melanie Ann Oliver & Chris Dickens, A.C.E.
Andrew Weisblum, A.C.E.
*** Silver Linings Playbook
Jay Cassidy, A.C.E. & Crispin Struthers
Jeff Freeman, A.C.E.
BEST EDITED ANIMATED FEATURE FILM:
*** Brave -- Nicolas C. Smith, A.C.E.
Frankenweenie -- Chris Lebenzon, A.C.E. & Mark Solomon
Rise of the Guardians -- Joyce Arrastia
Wreck-It Ralph -- Tim Mertens
BEST EDITED DOCUMENTARY (FEATURE):
Ron Fricke & Mark Magidson
*** Searching for Sugar Man Malik Bendjelloul
West of Memphis
BEST EDITED DOCUMENTARY (TELEVISION):
*** American Masters - Phil Ochs: There But For Fortune
Pamela Scott Arnold
The Dust Bowl - Episode 1: The Great Plow Up -- Craig Mellish
The Weight of the Nation: Episode 1: Consequences
BEST EDITED HALF-HOUR SERIES FOR TELEVISION:
Robert Frazen, A.C.E. & Catherine Haight
Modern Family: “Mystery Date”
*** Nurse Jackie: “Handle Your Scandal”
BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:
*** Breaking Bad: “Dead Freight”
Skip Macdonald A.C.E.
Breaking Bad: “Gliding Over All”
Kelley Dixon, A.C.E.
Mad Men: “The Other Woman”
Andrew Weisblum, A.C.E.
BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:
Homeland: “The Choice”
Terry Kelley, A.C.E.
Homeland: “State of Independence”
*** The Newsroom: “We Just Decided To (Pilot)”
Anne McCabe, A.C.E.
BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:
Lucia Zucchetti, A.C.E.
Hatfields & McCoys, Part 1
*** Hemingway & Gellhorn
Walter Murch, A.C.E.
BEST EDITED NON-SCRIPTED SERIES:
Beyond Scared Straight : " Oklahoma County, OK - The Weight"
Rob Goubeaux, A.C.E., Mark S. Andrew, A.C.E., Paul J. Coyne, A.C.E., Mark Baum, Jeremy Gantz, Johnny Skaare, J.C. Solis & Ken Yankee
*** Frozen Planet: “Ends of the Earth”
Andy Netley & Sharon Gillooly
Deadliest Catch: “I Don't Want to Die”
Josh Earl, A.C.E. & Alex Durham
*** Michael Smith – AFI
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"A Good Day to Die Hard" cemented the fact that people love this franchise. Even if the fifth installment is the weakest of the bunch, the film opened strong with a $25 million debut from Friday to Sunday, and $33.2 million if you factor in its Valentine's Day opening Thursday. Bruce Willis returns as John McClane, only this time, he's yipee kay yaying all the way to Russia.
Previous weekend's box-office champ, "Identity Thief" starring Melissa McCarthy and Jason Bateman fell to No. 2 with $23.4 million for a box-office total of $70.7 million since it opened.
At No. 3 was the melodramatic "Safe Haven" starring Julianne Hough and Josh Duhamel. The Nicholas Sparks adaptation sold $21.4 million worth of box-office tickets and $30.4 since Valentine's Day.
"Escape from Planet Earth," the Weinstein Co. animated tale, debuted at No. 4 with $16.1 million. The alien adventure featured voice work from Brendan Fraser, Jessica Alba, Sarah Jessica Parker and Rob Corddry.
Not doing so well was Warner Bros. "Beautiful Creatures" which cast $7.5 million at the box-office. Starring Alice Englert and Alden Ehrenreich, with supporting work from Jeremy Irons, Emma Thompson, and Viola Davis, "Beautiful Creatures" is the adaptation of the popular Young Adult literature by Kami Garcia and Margaret Stohl.
Here's the estimated Top 10 box-office films for weekend of Feb. 15th:
1. "A Good Day to Die Hard," $25 million ($61.5 million international).
2. "Identity Thief," $23.4 million ($180,000 international).
3. "Safe Haven," $21.4 million ($2.6 million international).
4. "Escape from Planet Earth," $16.1 million.
5. "Warm Bodies," $9 million ($4.9 million international).
6. "Beautiful Creatures," $7.5 million ($5.4 million international).
7. "Side Effects," $6.3 million.
8. "Silver Linings Playbook," $6.1 million ($6.5 million international).
9. "Hansel and Gretel: Witch Hunters," $3.5 million ($9.5 million international).
10. "Zero Dark Thirty," $3.1 million ($2.9 million international).
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“Twilight” gave us vampires and werewolves, “Warm Bodies” brought us zombies, and now, witches or casters are in the forefront in the new supernatural love story “Beautiful Creatures” from the novel by Kami Garcia and Margaret Stohl. Starring Alice Englert and Alden Ehrenreich, the film boasts past Oscar contenders and winners including Jeremy Irons (“Reversal of Fortune”), Emma Thompson (“Howard’s End”), and Viola Davis (“The Help”). From writer/director Richard LaGravenese (“P.S. I Love You,” “Freedom Writers”), will “Beautiful Creatures” cast a spell on you? Watch my movie review of “Beautiful Creatures.”
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“Beautiful Creatures” works for me because of the great chemistry between our main leads, Alice Englert (Lena Duchannes) and Alden Ehrenreich (Ethan Wate). Both actors, relatively new, were able to create palpable chemistry necessary for a supernatural love story to work. I was very happy to meet them, heck, even Alice (her mom is the great Jane Campion by the way) called me “adorable.” HA! In this interview, we talked about:
• I told Alice I love her mom, and to Alden that he has a “drooling charm” (a phrase I stole from the movie)
• What attracted them to their roles?
• How they created chemistry?
• His famous line – Leo does not have to die in “Titanic”
• If I have a magic wand and I told them they could see the future, what would it be?
• What do they want audiences to feel after watching “Beautiful Creatures”
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