Maggie Grace Talks About “Lockout” and Teases Us About "The Twilight Saga: Breaking Dawn Part 2" 


I loved meeting Maggie Grace! I’ve liked her since “Lost,” albeit briefly, and after working with Luc Besson for “Taken” (she’s also working on “Taken 2” right now), she’s back with the producer for “Lockout,” a simple sci-fi thriller about a prison in space.

In “Lockout,” Grace stars as Emilie Warnock, the President’s daughter, who suddenly finds herself trapped inside the prison. Coming to save him is Snow (played by the witty Guy Pearce), but she can save herself thank you very much! “Lockout,” co-written by Besson with the film’s directors Stephen St. Leger and James Mather, comes out on April 13th.

In this interview, Grace and I talked about:

*** Her interest in working in the film
*** Working with Guy Pearce
*** How she prepared for the role
*** Maggie Grace also teased us on “The Twilight Saga: Breaking Dawn Part 2” where she plays the vampire Irina Denali.



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Read the First Chapter of "Unholy Night," Seth Grahame-Smith's Mash-Up of the Birth of Jesus Christ 


Leave it to Seth Grahame-Smith, the mash-up king who gave us "Pride and Prejudice and Zombies" and "Abraham Lincoln: Vampire Hunter." Now, he's diving into the New Testament territory with the birth of Jesus Christ complete with swords-and-sandals epic featuring the three kings. Only this time, they're not as kingly but more like swashbuckling characters. Thanks to THR for the first chapter, and buy the book when it comes out on April 10th right here. Read the fun interview with Grahame-smith right here.

Here's the excerpt of "Unholy Night":

A herd of ibex grazed on a cliff high above the Judean Desert—each of their tiny, antelope-like bodies dwarfed by a pair of giant, curved horns. A welcome breeze blew across their backs as they searched for what little shrubbery there was here in the great big nothing, each of them pushing their hot, cracked noses across the hot, cracked earth, gnawing at whatever succulent bits of green had managed to push their way through.

One ibex—tempted by the sight of a few lonely blades of grass on the cliff ’s edge—grazed apart from the others, closer to the bone-shattering drop than even they dared go. These blades it now pulled at oh so carefully with its teeth. Its cloven hooves clacked against the loose rocks of its perch as it shifted its weight, sending the occasional pebble tumbling hundreds of feet into the valley below. Ten million years of geological aspirations undone in seconds.

Miles to the north of where it chewed this hard-earned meal, a carpenter was making his way toward Jerusalem in the blistering heat of midday—his head swimming through stories of plagues and floods to keep the thirst from driving him mad, his young, very pregnant wife asleep on the donkey behind him. And though the ibex would never know this—though its life, like the lives of all ibexes, would go completely unnoticed and unappreciated in the annals of history—it was about to become the sole living witness to a truly extraordinary sight.

Something’s wrong...

Perhaps it was a glint in the corner of its eye, a tiny, almost imperceptible vibration beneath its hooves. Whatever the reason, the ibex was suddenly compelled to lift its head and take in the sight of the vast desert below. There, off in the distance, it spotted a small cloud of dust moving steadily across the twisted beiges and browns. This in and of itself was hardly unusual. Dust clouds sprang up all the time, dancing randomly across the desert like swirling spirits. But two things made this cloud unique: one, it was moving in a perfectly straight line, from right to left. Two, it was being followed by a second, much larger cloud.

At least it looked that way. The ibex had no idea if clouds of dust could, in fact, chase each other. It only knew that they were to be avoided if at all possible, since they were murder on the eyes. Still chewing, it turned back to see if the others had spotted it. They hadn’t. They were all grazing away without a care in the world, noses to the ground. The ibex turned back and considered this strange phenomenon a moment longer. Then, convinced there was no danger to itself or the herd, it went back to its meal. The two clouds moved silently, steadily in the distance.

By the time it yanked another blade of grass out of the rock with its teeth, the ibex had forgotten they’d ever existed.

Balthazar couldn’t see a damned thing.

He rode his camel across the desert valley, kicking its sides like mad, his eyes the only things visible through the shemagh he wore to fight off the sun and the odor of the beast beneath him. Two overstuffed saddlebags hung off either side of his animal,and a saber hung from his belt, swinging wildly as they galloped along, kicking up the desert behind them. Balthazar turned back to see how close his pursuers were, but all he saw was the Cloud. The same, massive, relentless cloud that had been chasing him since Tel Arad.
The cloud that made it impossible to tell how many men were after him. Dozens? Hundreds? There was no way to know. It was, at present, a cloud of undetermined wrath.

From the direction of that cloud there came a faint whistling, almost like the movement of wind through a ravine. At first it was just a single note, its pitch bending steadily lower and growing louder with each second. This note was joined by another and another, until the air behind Balthazar’s head was a chorus of faint whistles—each of them starting soprano and tilting tenor as they grew louder, closer. Just as Balthazar realized what they were, the arrows began to strike the earth behind him.

They’re shooting from horseback, he thought.

None of the arrows had come close enough to cause concern. Balthazar wasn’t surprised. Any experienced archer knew that firing an arrow from a galloping horse was akin to saying a prayer with a bow. Even at twenty yards, you had little chance of hitting your target. From this distance, it was hopeless—a sign of either desperation or anger. Balthazar didn’t think the Judeans were desperate. They were furious, and they were going to take that fury out on his skull if they caught up to him. After all, the untold legions in that cloud weren’t just chasing the thief who’d made off with a fortune of stolen goods, and they weren’t after the murderer who’d killed a handful of their comrades...

They were trying to catch “the Antioch Ghost.”

It was a nickname born of the only two things the Romans knew about him: one, that he was Syrian by birth, in which case it was a good bet that he’d grown up in Antioch; and two, that he had a knack for slipping into the homes of the wealthy and making off with their riches without being seen or heard. Other than those scant facts and a rough physical description, the Romans had nothing—not his age, not even his real name. And while “the AntiochGhost”wasn’t particularly inspired as nicknames went, it wasn’t all that bad, either. Balthazar had to admit, he enjoyed seeing it among the “known criminals” painted on the side of public buildings—always in red, always in Latin: Reward! The Antioch Ghost— Enemy of Rome! Thief of the Eastern Empire! Sure, he hadn’t achieved the infamy of a Hannibal or a Spartacus, but he was something of a minor celebrity in his little corner of the world.

There was a second chorus of whistling, followed by a second strike of arrows behind him. Balthazar turned and watched the last of them fall.

While still too far away to cause concern, this volley hadn’t been quite as hopeless as the last. They’re getting closer, he thought.

“Faster, stupid!” he yelled at the stubborn beast, kicking its sides with his heels.

If only he could get out of their sight for a minute or two, change direction. Even now, with an indeterminate number of Judean soldiers chasing him through the middle of nowhere, with only a tired, pungent camel and a dull sword to protect him, and even though his pursuers were only two minutes behind him at best, Balthazar still had a chance. He’d spent years memorizing a network of caves to hide out in, shortcuts across barren lands, the best places to scrounge up food and water on the run. He’d trained himself how to survive. How to carry on in times when the whole world seemed hell-bent on snuffing him out. Times like now.

He sensed his camel slowing down and gave it another swift kick in its side.

C’mon...just a little longer...

The beast had struggled to keep pace with the weight of all that treasure on its back, and Balthazar had been forced to toss some of his heavier spoils overboard as they’d fled Tel Arad. The sight of all that wealth skipping across the sand had nearly made him sick to his stomach. The thought of some lucky shepherd stumbling upon his spoils made his jaw clench and his teeth grind. There was nothing more enraging, more unjust than denying a man the hard-earned fruits of his labor, especially when those fruits were made of solid gold. Balthazar had briefly considered cutting off one of his own limbs to shed an equal amount of weight. But the long-term prospects of a one-armed marauder were limited.
“Faster!” he cried again, as if this would spur on the camel any more than the thousand sharp kicks he’d delivered to its sides. It was still losing steam, and once again, Balthazar was forced to consider the unthinkable: jettisoning more of his hard-earned treasure.

He reached into one of the large saddle bags and fished around until his hands found something that felt heavy. He almost couldn’t bear to look as he pulled it out into the sunlight. There, in his hand, was a solid silver drinking cup—nearly the size of a bowl. Intricately carved and adorned with precious stones. It was a stunning piece, made from the finest materials with the finest artistry. It was also incredibly heavy. Balthazar held the chalice out to his side. Then, with his eyes averted and his stomach churning, he let it slip from his fingers. He turned away to spare himself the sight of it rolling across the desert floor and gave the camel another swift kick in retaliation.

C’mon, stupid...just a little longer...

It couldn’t be thirsty. A camel could drink forty gallons in one go, and its body could cling to that water for weeks. Its piss came out as a thick syrup of pure waste. Its shit was dry enough to use as firewood, for the love of God. No...it wasn’t thirsty. Not a chance. Tired? Unlikely. Camels had been known to live fifty years or more. And while Balthazar had gotten only a brief look at the face of this particular beast in the process of stealing it from a very unhappy Bedouin, he guessed that it was no more than fifteen years old. Twenty, tops. Still in the prime of its wretched life.

Just a little longer, you son of a bitch...

No, this camel was just being stubborn. And stubbornness could be corrected with a firm kick ortwo. Balthazar reckoned the beast could flat-out gallop for another hour. Maybe two. And if that estimate held up—if this camel could be coaxed through its stubbornness—then he had a real shot at making Jerusalem. And if he made Jerusalem, he was home free. There, he’d be able to blend in with the masses that were no doubt choking the streets for the census. He’d be able to disappear. Trade his stolen goods for coins, clothes, food—certainly a new camel.

Balthazar may have been a thief, but he deplored risk. Risk got men killed. Risk was unnecessary. When a man was prepared, when he was in control, things usually went according to plan. But the minute he left something to chance? The minute he trusted in partners, or instinct, or luck? That’s when everything went to hell. That’s why he was being chased across the desert by a giant cloud atop a stinking, unmotivated beast. Be-cause he’d taken a risk. Because he’d committed the unforgivable sin of trusting his instincts.

As much as it irked him, as much as it went against everything in his nature, Balthazar had to accept that the outcome of his current predicament was beyond his control. He could kick and curse all he wanted...

It was up to the camel now.

SOURCE: THE HOLLYWOOD REPORTER

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Still Not Sure of "Battleship?" Maybe This Alien Invasion Clip May Change Your Mind! 
But I still have no idea about the relation between this film and the Hasbro game its based on. Oh well, the clip looks fun!



Here's more info on the movie which opens on May 18th:

Synopsis

Peter Berg (Hancock) produces and directs Battleship, an epic action-adventure that unfolds across the seas, in the skies and over land as our planet fights for survival against a superior force. Based on Hasbro's classic naval combat game, Battleship stars Taylor Kitsch as Lt. Alex Hopper, a Naval officer assigned to the USS John Paul Jones; Brooklyn Decker as Sam Shane, a physical therapist and Hopper's fiancee; Alexander Skarsgard as Hopper's older brother, Stone, Commanding Officer of the USS Sampson; Rihanna as Petty Officer Raikes, Hopper's crewmate and a weapons specialist on the USS John Paul Jones; and international superstar Liam Neeson as Hopper and Stone's superior (and Sam's father), Admiral Shane.

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Check Out the First 5 Minutes of "Lockout" Starring Guy Pearce and Maggie Grace! I Enjoyed This Film! 
From executive producer and co-writer Luc Besson ("Taken") comes "Lockout," a prison in space thriller starring Guy Pearce and Maggie Grace. I interviewed both actors and will post my videos soon, but for now, take a look at the first 5 minutes of the film from directors James Mather and Stephen St. Leger. You know why I enjoyed this film? Its simplicity! And Pearce brings enough wit to make this interstellar prison actioner fun! "Lockout" opens on April 13th:



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"American Reunion," "Titanic 3D" No Match for "The Hunger Games" 


"The Hunger Games" continued to dominate the box-office leading the pack for its third-straight weekend. Studio estimates put the Lionsgate action-thriller-romantic drama extravaganza on the top spot with $33.5 million. So far, the film based on the popular Suzanne Collins novel has scored $302.8 million at the box-office, the first 2012 release to crossover the $300 million mark. ("The Hunger Games" movie review)

But the big question still looms large for Lionsgate -- will original director Gary Ross return for the sequel "Hunger Games: Catching Fire?" Apparently, Ross wants more money! I say give it to him! He deserves every penny much as the main cast which will be back for the sequel -- Jennifer Lawrence (Katniss), Liam Hemsworth (Gale), and Josh Hutcherson (Peeta). But if Ross does not return, you know who will be cool to direct the sequel? I vote for Oscar-winner Kathryn Bigelow. She can bring her "Hurt Locker" sensibilities to the sequel, don't you think?

Speaking of sequels, "American Reunion," the fourth film in the grossed-out comedy franchise, took in $21.5 million, the lowest box-office take for a film in the "American Pie" series.

Meanwhile, "Titanic" in 3D unearthed $17.4 million over the weekend, and since its release last Wednesday, has scored $25.7 million. Don't feel bad for "Titanic," its total domestic gross now stands at $626.5 million, only second to another James Cameron saga, "Avatar." (Check out my Top 10 Disaster Movies of all time)

But if you're playing "The Hunger Games" vs. "Twilight," the vampire-werewolf-and-soon-to-be-vampire-romance could not match the power of Katniss and company. "The Hunger Games" has sold more tickets than "Twilight." Yay? And if you factor in the international total of $157.1 million for "The Hunger Games," its worldwide take is now at $460 million.

In other box-office news, more people watched the indie hit "Salmon Fishing in the Yemen" than "John Carter." Gasp...

Here's the Top 10 Box-Office Films for Easter weekend of April 6th:

1. "The Hunger Games," $33.5 million ($25.5 million international).
2. "American Reunion," $21.5 million ($19.3 million international).
3. "Titanic" in 3-D, $17.4 million ($35.5 million international).
4. "Wrath of the Titans," $15 million ($43 million international).
5. "Mirror Mirror," $11 million ($11.5 million international).

6. "21 Jump Street," $10.2 million ($2.9 million international).
7. "Dr. Seuss' the Lorax," $5 million ($11.8 million international).
8. "Salmon Fishing in the Yemen," $975,000.
9. "John Carter," $820,000 ($2.6 million international).
10. "Safe House," $581,000.

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