Oprah is Asking "Will You Be My Black Friend?" 


Oprah Winfrey's Harpo Films has partnered with Lionsgate for a big screen adaptation of the November 2008 GQ Magazine article “Will You Be My Black Friend?”

The article, by senior correspondent Devin Friedman, a self-confessed white boy, details his attempt to make friends with African-Americans.

The story's preface says, "Sure, we may elect a black president this month. And yeah, Oprah has all kinds of white ladies in her audience. But in real life, it seems the older you get, the less chance you have of being friends with someone who is not in your racial demographic. Can a nice white boy make some black friends if he puts his mind to it? Devin Friedman posts an ad on Craigslist to find out."

Read Friedman's article by clicking here.

The film version is being set as a star vehicle for Chris Rock. I'm not quite sure what Rock is going to play, but I hope Harpo and company don't change the race of the main storyteller. The reason why “Will You Be My Black Friend?” worked is because of the racial differences between the characters, and how everyone found out that friendship knows no color.

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Michael Mann to Direct Biopic of Photographer Robert Capa 


Director Michael Mann ("Public Enemies") teamed up with Columbia Pictures to tell the story of war photographer Robert Capa. They will focus on Capa's two-year romance with Gerda Taro during the Spanish Civil War.

Columbia has acquired the film rights to "Waiting for Robert Capa" by novelist Susana Fortes. The studio has set Jez Butterworth to write the script. Mann will produce and direct. Butterworth worked with his brother, John Henry, for the script for “Fair Game” from director Doug Liman starring Naomi Watts and Sean Penn. The brothers also worked on a James Brown biopic script.

Variety tells us, "The story begins in Paris in 1935, where Capa, a refugee from Fascist Hungary, met Taro, a refugee from Nazi Germany, met with the intention to become photographers. The outbreak of the Spanish Civil War one year later began Capa’s emergence as the most renowned war photographer ever, and established Taro as the first frontline female battle photographer. She was killed in the battle of Brunete in 1937."

Mann has been waiting for the opportunity to make a film about Capa and was later inspired by Fortes' novel. This film sounds Oscar-ready! Sweeping romance told during a gripping war!

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"Zombieland" Invades Box-Office! See the Complete Top 10 List! 


Sony had a terrific box-office weekend! Both of the studio's films claimed the top 2 spots! At No. 1 is "Zombieland" featuring Woody Harrelson. The horror comedy led the pack of new films with a $25 million opening.

Budgeted at just $24 million, Sony has recouped its capital with "Zombieland," so the rest is just bloody gravy.

The No. 2 film is Sony's animated family tale "Cloudy With a Chance of Meatballs." The film fell from its top spot to hold the No. 2 position with $16.7 million. So far, the movie raised its domestic total to $82.4 million after three weekends.

Sure, Sony is having a great weekend but overall Hollywood revenues came in at $113.4 million, down 4 percent from the same weekend last year.

Taking the No. 3 spot is not a new film but a re-release! Disney/Pixar's double-feature reissue of "Toy Story" and "Toy Story 2" in 3-D sold $12.5 million worth of box-office tickets. This re-release sets the stage for the opening of "Toy Story 3" in 3-D next year.

Other new releases were the Warner Bros. comedy "The Invention of Lying" which opened soft at No. 4 with $7.4 million, and Fox Searchlight's "Whip It" featuring the directorial debut of Drew Barrymore and starring "Juno's" Ellen Page. The roller derby extravaganza debuted at No. 6 with a lackluster $4.85 million opening.

But the happy story of the weekend belongs to Michael Moore and his excellent documentary, "Capitalism: A Love Story." Playing in just 962 theaters, the film tied for sixth-place with $4.85 million raising its total to $5.3 million.

Here's a cool comparison: "Capitalism" played in 962 theaters, while "Zombieland" in 3,036 and about 1,700 cinemas for "Invention of Lying," "Whip It," and the "Toy Story" reissues. Not bad for a documentary eh?

Another happy box-office story is Focus Features' "A Serious Man" from the Coen brothers. Joel and Ethan Coen's dramedy had a big opening with $251,510 in just six theaters! The per cinema average? $41,918 compared to an $8,235 average for "Zombieland."

Here's the estimated Top 10 Box Office films for the weekend of Oct. 2nd:

1. "Zombieland," $25 million.


2. "Cloudy With a Chance of Meatballs," $16.7 million.


3. "Toy Story" and "Toy Story 2" in 3-D, $12.5 million.

4. "The Invention of Lying," $7.4 million.

5. "Surrogates," $7.3 million.

6 (tie). "Capitalism: A Love Story," $4.85 million.

6 (tie). "Whip It," $4.85 million.


8. "Fame," $4.8 million.

9. "The Informant!", $3.8 million.

10. "Love Happens," $2.8 million.

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More "Kill Bill," More "Inglourious Basterds!" Quentin Tarantino Reveals Future Plans! 


Quentin Tarantino's "Inglourious Basterds" was the opening film at the Morelia International Film Festival. The fantastic director revealed the following equally-fantastic plans:

*** Tarantino wants to make a third installment of the "Kill Bill" franchise, AFTER he gives Uma Thurman's character (Beatrix Kiddo - The Bride, 'Black Mamba') and her daughter Beebe 10 years of peace before the next bloody battle -- so the project will come to fruition in 2014

*** From now until The Bride fights again, Tarantino is planning to make one film but he remains wide open for that next project.

*** After re-imagining World War II in "Inglourious Basterds," the director is planning to give a makeover to the following genres -- western and/or a gangster movie set in the 20s or 30s ala "Public Enemies"

*** Tarantino admitted that he mas more than enough material for more "Inglourious Basterds" films -- perhaps a prequel or sequel

I love all his plans, and I adore him as a director, but I would love Tarantino to think out of the box and re-imagine the romantic comedy genre! That would be a challenge :happy

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My Special Interview with My Hero, Michael Moore, for "Capitalism: A Love Story" 


I had a blast talking to Michael Moore about his new film "Capitalism: A Love Story." I love his movies for he creates a fine balance to make you laugh, cry, and angry at the same time. From "Roger & Me" to "Capitalism: A Love Story," Moore knows how to entertain and inform -- a hard feat for the documentary genre.

Here's my interview with Moore about his film, certainly one of his best, "Capitalism: A Love Story."



Capitalism: A Love Story

On the 20-year anniversary of his groundbreaking masterpiece Roger & Me, Michael Moore's Capitalism: A Love Story comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). But this time the culprit is much bigger than General Motors, and the crime scene far wider than Flint, Michigan. From Middle America, to the halls of power in Washington, to the global financial epicenter in Manhattan, Michael Moore will once again take film goers into uncharted territory. With both humor and outrage, Michael Moore's Capitalism: A Love Story explores a taboo question: What is the price that America pays for its love of capitalism? Years ago, that love seemed so innocent. Today, however, the American dream is looking more like a nightmare as families pay the price with their jobs, their homes and their savings. Moore takes us into the homes of ordinary people whose lives have been turned upside down; and he goes looking for explanations in Washington, DC and elsewhere. What he finds are the all-too-familiar symptoms of a love affair gone astray: lies, abuse, betrayal...and 14,000 jobs being lost every day. Capitalism: A Love Story is both a culmination of Moore's previous works and a look into what a more hopeful future could look like. It is Michael Moore's ultimate quest to answer the question he's posed throughout his illustrious filmmaking career: Who are we and why do we behave the way that we do? Written by Overture Films

Visit the film's official site right here.

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