"Mad Max," "Revenant" Tied at Golden Reel Awards 


It's all about the sound! The Motion Picture Sound Editors unveiled the winners of the 2016 Golden Reel Awards and "Mad Max: Fury Road" and "The Revenant" tied for the Best Sound Editing: Feature English Language – FX/Foley. For my Oscar predictions, I chose "Mad Max" for both Sound Editing and Mixing! See my full Oscar predictions here.

Here's the full list of winners of the Golden Reel Awards:

FEATURE FILM

Best Sound Editing in Feature Film: Music Score

STAR WARS: THE FORCE AWAKENS (Walt Disney Studios Motion Pictures)
Supervising Music Editor: Ramiro Belgardt
Music Editor: Paul Apelgren

Best Sound Editing in Feature Film: Music in a Musical

LOVE & MERCY (Roadside Attractions)
Music Editor: Nicholas Renbeck

Best Sound Editing: Feature English Language – Dialogue/ADR
BRIDGE OF SPIES (Walt Disney Studios Motion Pictures)
Supervising Sound Editors: Richard Hymns, Gary Rydstrom
Supervising Dialogue Editor: Brian Chumney
Supervising ADR Editor: Steve Slanec

Best Sound Editing: Feature English Language – FX/Foley (TIE)

MAD MAX: FURY ROAD (Warner Bros.)
Supervising Sound Editors: Mark Mangini, MPSE, Scott Hecker, MPSE, Wayne Pashley, MPSE
Supervising Foley Editor: Stuart Morton
Sound DesignerS: David White, Julian Slater
Foley Artists: John Simpson, Blair Slater
Sound Effects Editors: Fabian Sanjurjo, Cate Cahill, Chris Aud, Chuck Michael, Rick Lisle, Andrew Miller, Emma Mitchell, Alicia Slusarski, Mario Gabrielli, Nigel Christensen, Phil Barrie, Michael Mitchell, Jared Dwyer

THE REVENANT (Twentieth Century Fox)
Supervising Sound Editors: Martín Hernández, Randy Thom, MPSE, Lon Bender, MPSE
Sound Designer: Jon Title
Foley Supervisor: Geordy Sincavage
Additional Supervising Sound Editor: Todd Toon, MPSE
Sound Effects Editors: Mark Larry, Dino DiMuro, Adam Kopald, Pernell L. Salinas, Bill Dean, D. Chris Smith, MPSE, Hector Gika, David McMoyler, Stephen Robinson
Foley Editor: Nancy MacCleod, Ryan Wassil, Aran Tanchum
Foley Artists: Katy Rose, Gretchen Thomas, Rick Owens, Vincent Guisetti, Catherine Harper, Gregg Barbanell, Andrea Gard

TELEVISION, SHORT FORM

Best Sound Editing: TV Short Form – Music

HOUSE OF CARDS – “Chapter 33” (Netflix)
Supervising Music Editor: Jonathon Stevens
Music Editor: Marie Ebbing

Best Sound Editing: TV Short Form – Musical
EMPIRE – “Die But Once” (Fox Network)
Music Editor: Joshua Winget

Best Sound Editing: TV Short Form – Dialogue/ADR
GAME OF THRONES – “Hardhome” (HBO)
Supervising Sound Editor: Tim Kimmel
Supervising Dialogue Editor: Paul Bercovitch
Supervising ADR Editor: Tim Hands

Best Sound Editing: TV Short Form – FX/Foley

GAME OF THRONES – “Hardhome” (HBO)
Supervising Sound Editor: Tim Kimmel
Sound Designer: Paula Fairfield
Supervising Foley Editor: Brett Voss
Foley Artists: Jeffrey Wilhoit, Dylan Wilhoit
Sound Effects Editor: Bradley Katona
Foley Editor: John Matter

TELEVISION, LONG FORM

Best Sound Editing: TV Long Form – Music

SAINTS & STRANGERS – “Night 2” (Sony Pictures Television)
Supervising Music Editor: Del Spiva
Music Editor: Nicholas Fitzgerald

Best Sound Editing: TV Long Form – Musical
TEEN BEACH 2 (Disney Channel)
Supervising Music Editor: Amber Funk
Music Editor: Sharyn Gersh

Best Sound Editing: TV Long Form – Dialogue/ADR
BESSIE (HBO)
Supervising Sound Editor: Damian Volpe
Supervising Dialogue/ADR Editor: Tony Martinez
Dialogue/ADR Editors: Mary Ellen Porto, Brian Bowles

Best Sound Editing: TV Long Form – FX/Foley
TEXAS RISING – Night 4 “Vengeance Is Mine” (A&E)
Supervising Sound Editors: John Laing, Thomas Bjelic
Supervising Foley Editor: Steve Baine
Sound Designer: Thomas Bjelic
Foley Artist: Simon Meilleur
Sound Effects Editors: Tyler Witham, Mike Mancuso, Adam Stein

TV/FEATURE ANIMATION AND DOCUMENTARY

Best Sound Editing & Music: TV Documentary Short Form

INDIA’S DAUGHTER (PBS)
Supervising Sound Editors: Resul Pookutty,MPSE, Amrit Pritam
Supervising Dialogue Editor: Resul Pookutty,MPSE
Supervising Foley Editor: Vijaykumar Mahadevayah
Sound DesignerS: Resul Pookutty,MPSE, Amrit Pritam
Foley Artists: Karnail Singh, Sajjan Choudhary
Sound Effects Editors: Vijaykumar Mahadevaya, Sampath Alwar
Dialogue/ADR Editor: Sampat Alwar
Music Editor: Krsna Solo

Best Sound Editing & Music: TV Documentary Long Form
THE SPYMASTERS: CIA IN THE CROSSHAIRS (Showtime)
Supervising Sound Editors: Jason Schmidt, Mead Stone
Sound Designer: Gary Winter

Best Sound Editing & Music: TV Animation

TEENAGE MUTANT NINJA TURTLES – “Annihilation Earth” (Nickelodeon)
Supervising Sound Editor: Jeff Shiffman MPSE
Supervising Dialogue Editor: Elliot Herman
Supervising Foley Editor: Roger Pallan
Foley Artists: Alex Ullrich
Sound Effects Editors: Jeff Shiffman MPSE, Jessey Drake MPSE
Dialogue/ADR Editor: Anna Adams

Best Sound Editing & Music: Animation – Feature Film

INSIDE OUT (Walt Disney Studios Motion Pictures)
Supervising Sound Editors: Shannon Mills, Ren Klyce
Supervising Dialogue Editor: Daniel Laurie
Supervising Music Editor: Stephen M. Davis
Sound Designer: Ren Klyce
Foley Artists: John Roesch, Alyson Dee Moore
Sound Effects Editors: David C Hughes, Malcolm Fife, Jeremy Bowker
Foley Editor: Tom Brennan

Best Sound Editing & Music: Documentary – Feature Film
KURT COBAIN: MONTAGE OF HECK (HBO)
Supervising Sound Editor: Cameron Frankley
Sound Effects Editor: Dan Kenyon
Music Editor: Jon Michaels

COMPUTER/DIRECT-TO-VIDEO/FOREIGN FEATURE/SPECIAL VENUE

Best Sound Editing & Music: Feature Film – Foreign language

SON OF SAUL (Sony Pictures Classics)
Supervising Sound Editor: Tamas Zanyi,
Supervising Dialogue Editor: Tamas Zanyi
Supervising Foley Editor: Tamas Zanyi
Sound Designer: Tamas Zanyi,
Foley Artists: Tamas Beke, Tamas Zanyi
Sound Effects Editors: Tamas Zanyi, Tamas Szekely
Music Editor: Tamas Zanyi

Best Sound Editing & Music: Computer Episodic Entertainment (Webisode)
JOY RIDE – PREQUEL (Lemonade Films)
Supervising Sound Editor: Charles Deenen
Sound DesignerS: Csaba Wagner, Charles Deenen
Supervising Foley Editor: Braden Parkes
Music Editor: Charles Deenen

Best Sound Editing & Music: Game Cinematics
HALO 5 – “Guardians” (Microsoft Studios)
Supervising Sound Editors: Bryan Watkins, Mitchell Osias
Supervising Dialogue Editor: Christopher Cody Flick
Supervising Foley Editor: Goeun Lee
Audio Director: Sotaro Tojima
Supervising Music Editor: Kazuma Jinnouchi
Sound Designers: Kyle Fraser, Adolfo H. Santisteban
Foley Artists: John Roesch, Alyson Moore, Shelly Roden
Sound Effects Editors: Luis Galdames, Roland Thai, Tom Ozanich, Noa Lothian, Leanardo Barragan
Dialogue/ADR Editor: Chase Thompson

Best Sound Editing & Music: Direct To Video Animation
TINKERBELL AND THE LEGEND OF THE NEVERBEAST (Disney)
Supervising Sound Editor: Todd Toon, MPSE,
Supervising Dialogue Editor: Thomas Whiting,
Supervising Music Editor: Charles Martin Inouye
Sound DesignerS: Todd Toon, MPSE, Martyn Zub, MPSE
Foley Artists: John Roesch , Shelley Roden
Sound Effects Editors: Martyn Zub, MPSE, Adam Kopald, MPSE, Charles W. Ritter, Charlie Campagna, Pernell L. Salinas
Music Editor: Jim Harrison, Dominick Certo, Tommy Holmes

Best Sound Editing & Music: Direct To Video Live Action

ALL THE WILDERNESS (Super Crispy Entertainment)
Supervising Sound Editors: Steven Avila MPSE, Trip Brock
Supervising Dialogue Editor: Ian Shedd
Supervising ADR Editor: Ben Whitver
Foley Artists: Sanaa Cannella, Matthew Salib
Sound Effects Editors: Alexander Pugh MPSE, Rickley Dumm MPSE
Dialogue/ADR Editor: Jackie Johnson
Foley Editors: Terry Boyd, Jr., Matthew Salib
Music Editor: Kenny Woods

Best Sound Editing & Music: Special Venue

JOURNEY TO SPACE
Supervising Sound Editor: Brian Eimer
Supervising Dialogue Editor: Josh Vamos
Sound Designer: Brian Eimer
Sound Effects Editor: Michael Bonini
Music Editors: Max Braverman, Keith Munson

VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILM MAKERS

FULFILAMENT

Directed By: Rhiannon Evans
Produced By: Alexandra Breede
Supervising Sound Editor: Matis Rei
Foley Artist: Matis Rei
Music Editor: Filip Sijanec

SOURCE: DEADLINE

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